A Japanese animated fantasy directed by Isao Takahata, starring Jonathan Taylor Thomas.
The forest home of raccoons is being destroyed by humans building homes. The raccoons try to use their shapeshifting abilities to make the humans leave.
I'm writing about this film for a variety of reasons. I found the plot to be engaging and interesting, but tragic. Although the plot was so good, the characters were relatively shallow and a "narrator voice" filled in the story. Testicles of the tanuki (Japanese raccoon dogs) play a major role in folklore and were included in the film. All of the male raccoons had them and some transformed their ballsacks for other uses. Balls were mentioned in the dialogue and songs of the original Japanese version and the English subtitles, but not the English audio. There were also breasts on the female raccoons and even a topless scene. I liked the environmental theme or moral of the film because it is so true. Human city development really is destroying the homes of animals. Finally, I just plain like the film. Being Studio Ghibli and having a good plot guarantees that. I rate this best. Watch it!
In ancient Egyptian mythology, a dead person's soul would be weighed against the feather of truth in a ritual called a psychostasy. If their soul was lighter than the feather, it would ascend into the afterlife. Heavy souls were devoured by Maat, eater of the dead. Good films go to hard drive heaven while the recycle bin eats the rest.
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Showing posts with label jonathan taylor thomas. Show all posts
Showing posts with label jonathan taylor thomas. Show all posts
Wednesday, March 27, 2019
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